Download Jean-Luc Ponty mp3

Artist: Jean-Luc Ponty: mp3 download    Genre(s):  Jazz New Age Other Instrumental     Discography:      The Very Best of Jean-Luc Ponty    Year: 2002    Tracks: 15      Live at Chene Park (Live)    Year: 1997    Tracks: 13      Live at Chene Park    Year: 1996    Tracks: 13      Le Voyage: The Jean-Luc Ponty Anthology    Year: 1996    Tracks: 32      Rite of Strings    Year: 1995    Tracks: 9      No Absolute Time    Year: 1993    Tracks: 10      Tchokola    Year: 1991    Tracks: 10      Storytelling    Year: 1989    Tracks: 9      The Gift of Time    Year: 1987    Tracks: 8      Fables    Year: 1985    Tracks: 7      Open Mind    Year: 1984    Tracks: 6      Individual Choice    Year: 1983    Tracks: 7      Mystical Adventures    Year: 1982    Tracks: 10      Civilized Evil    Year: 1980    Tracks: 8      Live    Year: 1979    Tracks: 7      Cosmic Messenger    Year: 1978    Tracks: 8      Enigmatic Ocean    Year: 1977    Tracks: 11      Imaginary Voyage    Year: 1976    Tracks: 9      Aurora    Year: 1976    Tracks: 8      Upon the Wings of Music    Year: 1975    Tracks: 8      King Kong    Year: 1972    Tracks: 6      Jazz Long Playing    Year: 1964    Tracks: 11      Live at Semper Opera    Year:     Tracks: 9      A Taste for Passion    Year:     Tracks: 9 It has been a long, gripping odyssey for Jean-Luc Ponty, world Health Organization started out as a straight jazz violinist only to become a open up of the electrical tinker in jazz-rock in the '70s and an divine manipulator of sequencers and synthesizers in the '80s. At commencement merely amplifying his fiddle in parliamentary law to be heard, he switched over to electric play and augmented it with devices that were associated with electric guitarists and keyboardists, charge Echoplex machines, aberration boxes, phase shifters, and wah-wah pedals. Classically trained, with an unquenchable ability to swing when he wants to, and consumed by a fondness for cruddy structures and repetition ostinatos, Ponty has been able to cover styles as divers as swing, bebop, free and modal baseless words, jazz-rock, reality medicine, and regular country, intermixture them up at will. Starting in 1977, he as intimately pioneered the usage of a five-string galvanic tamper with a low C cosmic cosmic string. Undoubtedly, he rivals Stéphane Grappelli for the championship of the to the highest degree spectacular and influential European malarkey twiddler. Ponty's father -- the theater director of the school of music in Avranches and a fiddle instructor as well -- got Jean-Luc started on fiddle at the eld of five, and his mother tutored him on piano. He left hand school at 13 in order to praxis six-spot hours a day in the hope of comme il faut a concert violinist. At 15, he was recognized into the Paris Conservatoire, at long last winning the select Minister prix at eld 17. He played with the Concerts Lamoureux Orchestra for three days, during which time, thanks to the influence of Grappelli and Stuff Smith, he became interested in malarkey. Oddly sufficiency, Ponty began playing malarkey get-go on the clarinet and tenor sax, wait until 1962 to apply it to the violin. After a hitch in the French Army (1962-1964), Ponty went wholly o'er to the idle words summer camp, leading quartets and trios in Europe, recording with Grappelli, Smith, and Svend Asmussen on Fiddle Summit, and visiting the U.S. for the first time in 1967 at a Monterey Jazz Festival workshop. Enriching himself with various American experiences in 1969, Ponty recorded with Frank Zappa, joined the George Duke Trio, and upon his return to France, formed the free jazz Jean-Luc Ponty Experience (1970-1972) in front subsiding in the U.S. and rejoining Zappa's Mothers of Invention. He toured and recorded with the Mahavishnu Orchestra in 1974-1975 and so set out on his have, compiling a long series of solo albums on Atlantic that pulled away from the more than than volcanic aspects of optical coalition toward a more lyric, European, in time placid exciting extension of Mahavishnu's idioms. In 1983, after his records began to sound increasingly formulaic, Ponty switched gears and recharged his creative batteries on the synthesizer. Starting with the Private Choice album, he began constructing attractive revolving patterns of electronic sounds with the help of sequencers, producing backdrops for his violin that were elegantly indebted to Europop influences. He took this way with him when he signed with Columbia in 1987, but on 1991's Tchokola record album Ponty was on the move over again, throwing out the sequencers and recording with West African musicians wHO provided him with young ostinato patterns to play with. Ponty opened the 21st century with Life Enigma in 2001, following it with Live at Semper Opera that same year. A live Warsaw particular date from 1999 was released in 2004 as Jean-Luc Ponty in Concert. The Acatama Experience appeared in 2007.